Tag: Words

  • UP SHIT CREEK WITHOUT A PADDLE

    UP SHIT CREEK WITHOUT A PADDLE

    There was no-one better with their words than my dad. The way he expressed, well everything – the good, the bad, the ugly – had me enthralled. He could turn an ordinary moment into a story, a warning into a performance, and a throwaway comment into something unforgettable.

    He had that rare gift of making words feel alive. They didn’t just leave his mouth and disappear into the air – they landed, they lingered, they made themselves at home inside you.

    Then there were the quirky, outrageous things he would say – the kind of lines that shocked you, made you laugh, and at times really upset me, but over time made perfect sense all at once.

    For example, the time he told my boyfriend, well technically ex-boyfriend at the time, that came back knocking on my door, after sleeping with another girl. Dad didn’t miss a beat. He marched up to within an inch of his face and said, ‘IF YOU HURT MY DAUGHTER AGAIN, I’LL GET A SHOTGUN, STICK IT UP YOUR BACKSIDE, AND BLOW YOU FROM HERE TO KINGDOM COME.’ It was dramatic, ridiculous, fiercely protective and so undeniably him.

    Over the years, somewhere, somehow, I became a lover of idioms. I think that love began with him. I loved the meaning of different words, which were just individual words, put together to make some sort of sense. Words for me could be playful and clever, they could paint a picture while saying something deeper underneath.

    I remember Dad saying, ‘Well he’s up shit creek without a paddle.’ What’s going on? Was the creek actually full of shit? If it was, whose shit? What happened to the paddle? Where’s the boat, that was meant to have the paddle?’ Was there even a boat, or someone stranded in the middle of this dark, filthy creek? I found this kind of language hilarious, confusing and endlessly interesting.

    Time and age eventually gave me understanding. Oh yeah, you’re in a difficult situation, with no easy way of getting out of it. It meant you were properly stuck – stranded in the middle of a mess, with no control over where you were headed and no easy way of getting yourself out. It sounded funny, but it carried a sense of helplessness, of consequences already in motion, of being forced to sit in the discomfort of something that had gone wrong.

    Maybe that’s why it stayed with me. It wasn’t a neat or polite expression, but it was honest, and Dad was nothing but honest. Somehow, in Dad’s way of saying it, even something bleak sounded vivid, funny and strangely wise.

    That was the beauty of Dad’s expressions, they made language feel bigger than itself. It invited me to imagine, to question, to laugh before I even understood.

    Made perfect sense….to me. It was the magic of Dad’s words and I loved words. I think I loved them because he did first.

  • CHUM THE WATERS

    CHUM THE WATERS

    It’s one of those phrases that sounds mildly illegal, vaguely disgusting, but strangely poetic all at once.

    It’s when you use dead bait, old fish carcasses – the bits nobody puts on a menu, cut up in many small pieces. Mixed thoroughly, with added fish remains and blood, like the world’s worst smoothie, you are ready to go chum the waters. Weird words, but they serve a purpose. When you chum the waters, you’re trying to attract fish in water. It’s essentially bait lure.

    If you’re looking for big fish, chumming the waters is the way to go. Eau de Chum has you covered. It’s gross, it’s effective and it definitely isn’t going to win any awards for fragrance.

    You take this grim little soup and toss it into the water to chum the waters, which is fishing’s version of turning on a neon sign that reads – FREE SNACKS THIS WAY. You’re not trying to feed the fish a full meal—you’re creating a scent trail, a tasty rumour, a breadcrumb path of chaos that says, something delicious is happening over here.

    It’s basically bait marketing. Small fish show up curious. Bigger fish show up confident. And if you’re aiming for the heavyweight champions—the kind of fish that look like they pay rent—chumming is one of the best ways to get their attention. Big fish don’t chase tiny opportunities, they cruise in when there’s a clear signal that the buffet is open.

    But, the phrase doesn’t stay politely on the boat. To chum the waters also works as a metaphor and honestly, it’s almost better there because it’s equal parts vivid and savage.

    It is a provocative word, intentionally creating a strong reaction. When someone drops a controversial statement – politics at Christmas lunch, unsolicited parenting advice, dropping a financial opinion knowing it will offend, an unpopular comment online, or that one mate who says Actually…..like it’s a personality trait—it’s like tossing chum into a calm sea. Suddenly the water isn’t calm anymore. People materialise out of nowhere. The replies start circling.

    It’s the internet’s favourite sport – chum in the waters – one provocative statement, and boom—the sharks come in for a feeding frenzy. Not because everyone’s hungry for truth, but because drama smells like blood in the water. And once you’ve chummed the waters, you don’t really get to act surprised when the sharks show up. You rang the dinner bell. They just RSVP’d. They’re hungry.

  • WHO PACKS YOUR PARACHUTE

    WHO PACKS YOUR PARACHUTE

    It’s a metaphor popularised by Vietnam War fighter pilot Charles Plumb – after being shot down, he survived because a parachute—packed by someone he’d never met—did its job perfectly.

    Because we all have parachute packers.

    Not literal ones – unless you’re doing skydiving – I mean the people in your life who quietly support you—mentally, emotionally, physically—often without you even noticing until you’re mid–free fall and suddenly thinking, ‘Oh… this would be a terrible time for my coping skills to go on lunch break.’

    These people make space for you in times of need. They steady you. They help you reset. They remind you who you are when you’ve temporarily forgotten.

    For me, it’s my sister, Ang.

    When I’m angry, sad, broken, tired, down in the dumps, or heartbroken, a call to Ang—usually accompanied by a truly majestic rant—means I live to fight another day. She doesn’t judge. She doesn’t rush me. She just listens, gives me a warm hug over the phone, and somehow delivers advice that lands exactly where it needs to. It’s like she has a PhD in calm down, but in a way that doesn’t make you want to throw your phone.

    Without a doubt, Ang contributes to my daily success and expects nothing in return. In effect, she gently pushes me out of the plane when I’m stuck, pulls the cord when I can’t, and helps me land safely when life gets rough. Then, as if by magic, there she is, basically my emotional ground crew, ready to greet me on landing, without me scraping my knees and backside.

    Ang is there with me, through all the turbulence, sideways, ups and down of life, a calm voice in the chaos of my world, putting the brakes on when I hit panic speed.

    And she doesn’t pack just one parachute either. I keep Ang busy packing the whole set — my physical parachute, my mental parachute, my emotional parachute, and my spiritual parachute too.

    She makes sure they’re folded properly, with all the silks of each chute in place, so my fate stays favourable even when my brain is trying to write a disaster movie.

    She checks the straps, tightens the buckles, and somehow knows exactly which part of me is about to freefall before I do. When I’m spiralling, she’s steady. When I’m overthinking, she’s calm. When I’m convincing myself the wind is stronger than it is, she reminds me I’ve jumped before — and I’ve landed every time.

    So, thanks, Sis, for always packing my parachute. I hope that on the days you need it, I pack yours too — even if mine has a slightly wonky fold and a snack tucked in the pocket for emergencies.

    Now I’ll throw it to you – who’s packing your parachute? Who makes your day safer, easier, or more pleasant—quietly, consistently, and probably without enough credit?

    *Image by Subbu Rayan on Pexels

  • NOTHING UNTOWARD

    NOTHING UNTOWARD

    Nothing untoward is one of those quietly reassuring phrases that does a lot of heavy lifting with very few words.

    Used a lot in formal settings, like medical notes, police statements, carefully worded emails or legal documents. It conveys calm, neutrality and understatement – in other words, no big deal.

    At its core, saying nothing untoward means exactly what it sounds like: nothing unusual, unexpected, inappropriate, or problematic happened. Everything proceeded as it should have. The situation remained ordinary, uneventful, and free from drama.

    All good. No issues. Move along. Everything was fine. It’s polite.

    Nothing untoward, downplays events without dismissing them.

    Rather than enthusiastically declaring that everything was excellent or perfect, the phrase gives quiet reassurance and suggests that things were checked and reviewed and that no red flags were found.

    It’s the verbal equivalent of a professional nod.

    Casual conversation might say – nothing weird happened, it was all normal, no problems at all. A more formal language opts for – nothing untoward.

    To fully understand the phrase, it helps to unpack the word untoward itself. While it’s not commonly used on its own in everyday speech, it does carry meaning.

    Something untoward is out of the ordinary — not what was expected or planned. It doesn’t have to be catastrophic, it simply signals that something didn’t go according to script.

    Something untoward is anything that strays from the expected path — an event, action or outcome that wasn’t expected, planned or welcomed. It suggests a deviation from the norm, often with a faint undertone of concern or impropriety, without spelling out anything dramatic.

    Saying nothing untoward happened reassures the reader that events followed the expected course. The phrase quietly confirms that no lines were crossed. There were no problems, disruptions or adverse outcomes.

    I think it sounds so serious because part of the charm — and sometimes the frustration — of nothing untoward is its formality. It can feel deliberately vague, as though something could have gone wrong, but didn’t. This makes it ideal for contexts where precision matters, or where understatement is preferred over emotional language.

    Nothing untoward is a calm, composed way of saying that everything remained normal and uneventful. It confirms the absence of problems, impropriety, or surprises — without fuss, flourish, or fanfare.

    Translated into plain English: No bad stuff. No drama. No fuss. Just as promised.

    So, when someone tells you that nothing untoward occurred, take it at face value. It means the wheels stayed on, the forms were ticked, and no one had to escalate anything. Nothing blew up, nothing crossed a line, and nothing ended up becoming ‘a situation’.

    In plain Aussie terms: everyone behaved, nothing went pear-shaped, and there’s no need to carry on about it. All good. Move along. Nothing untoward.

  • CALM THE FARM

    CALM THE FARM

    Its meaning is clear – calm down, relax, chill out – it’s Aussie slang, the kind we use to tell someone to settle their nerves or stop getting worked up about something.

    Linguistically, it’s a classic example of Aussie English that’s meant to soften a directive with rhyme and humour, much like ‘no worries’ or ‘she’ll be right.’

    On paper, it’s meant to be playful, casual even, similar to saying ‘take it easy’ in a sing-song way. A phrase that, in theory, should immediately lower your cortisol levels and return the universe to balance.

    BUT, why is it that when someone says this to me, my stress is NOT managed, my chaotic situation becomes worse, I am instantly more unsettled and frankly, too flipping mad at them for saying it to – seriously – take it easy.

    Psychologically speaking, telling someone to ‘calm down’ often has the opposite effect. So, while the phrase might be wrapped in humour, the message underneath can feel like your reaction is the problem, the situation itself.

    It may be informal Australian English, but to me it makes me flip a switch. I see red, and I certainly don’t feel like everything is going to be fine and dandy.

    It doesn’t feel folksy. There’s no stress relief, and there’s no damn humour in someone essentially telling you you’re overreacting. Are you trying to soothe me, or are you patronising me? Because let me tell you, it lands squarely in the latter.

    It’s an idiom that stops me in my tracks and makes me feel like an idiot – why do my emotions need correcting, managing, or reining in for the comfort of everyone else?

    Informal, you say. I don’t think so. More like rude and oh, by the way, thanks so much for pointing out that my situation or emotions are out of control.

    So, if you’re telling me to relax, don’t give me that ‘calm your farm’ authentic Aussie touch, unless you want me to bite your head off, kick you back to the land of woop woop, tell you to put a sock in it, or crack the shits, big time. 

    Oh, and one last rant, because rest assured – the farm was calm – until you mentioned it.

    *Image by Pixabay

  • HOTLINE

    HOTLINE

    In this world of computer tech and AI, some days I just wish for an old fashioned hotline. Just a plain, direct, simple link where I can actually speak to a human being.

    I’m not trying to avert an international crisis, but after spending hours on the phone, on hold, listening to all the bots loop the same scripted lines, over and over, I find myself craving the most basic luxury – a real conversation with a real person.

    When I was young (young-er), I used to dial the radio hotline, to request a song or to try my luck in a competition. Back then, the DJ would answer the phone direct and for a teenager, speaking to this mini type celebrity, it was pretty cool. It was easy and immediate.

    That’s the thing with telephone bots, they’re not direct, they are trying their hardest to not connect you to anyone. They just send me round and round the mulberry bush, until I’m dizzy with frustration.

    I mean, the President of the United States has a hotline – a real one – that connects them straight to other world leaders and security officials etc. What it allows is for a personal exchange to ensure misunderstandings are prevented. I feel being the president, that this definitely is a good thing to have……….. and on some days, I want one too.

    There are days, I wish I had a hotline to my Dad in heaven, just to say hi, or ask his advice on something, or just to get through direct to him to tell him I love him. A direct line, no hold music, no bots.

    Don’t get me started on the hold music. This is a whole experience in itself – loud enough to scare the dog, but catchy enough to stick in my head and haunt me for the rest of the day.

    Imagine having a hotline to God! Yes, we do through prayer ultimately, but, wow, calling him up and getting him direct on the line and having him sort it out pronto, well that would be something.

    I’m not ‘all against’ AI bots. Olive the chatbot on the Woolworths supermarket live chat, is an absolute gem. This cutie patootie virtual assistant is impressive. I order groceries online nowadays and inevitably, it can be common for the human packing my order to make an error.

    I can hop onto the chat with superstar Olive and with minimum fuss I can sort out a refund. I feel an affinity towards Olive, she doesn’t muck me around, she asks direct questions and most importantly, she solves the issue. Nothing to complain about here. I feel Olive is my friend. She restores my faith in the robot uprising.

    Anyway, that’s my two cents — now I’m curious: what’s your best (or worst!) bot moment?

    *Image by macrovector on Freepik

  • GO TO YOUR ROOM

    GO TO YOUR ROOM

    Every time my nephew comes down from Brisbane to the Gold Coast, my opening line when he arrives is ‘Go to your room.’ It’s a standing joke and even after so many years, we still all laugh and he jokingly hangs his head and trudges off dramatically with a ‘fine, I’ll go to my room.’

    Why do I say it? Well firstly because I think it’s funny and firstly, because it makes Drew feel at ease and automatically like he’s part of the family, which he is anyway, but this comedic gesture just slams that point home.

    It’s funny because it’s completely out of place — he’s just walked in the door, hasn’t done anything wrong, and I’m already sending him to his room. But that’s exactly why it works. The moment he hears it, he knows he’s home. He knows he belongs here, in this house where teasing is affection.

    It’s a grand opening line, that’s just a brilliant icebreaker, and seems somehow to set me up as the cool Auntie. It’s the perfect mix of mock authority and comedy, which Drew loves. It’s become our tradition, and it never fails to make him and me grin.

    It’s our secret handshake in sentence form — part joke, part welcome, and part reminder that family is built on the tiny, repeated things that only make sense to the people who share them.

    Every family has its folklore — those odd little sayings and inside jokes that seem ridiculous to anyone else but mean everything to the people involved.

    Who would have thought that a scolding line – something a kid would dread hearing – would turn into a family in-joke and create for Drew the feeling that he belongs here, that we have our own script and our own rhythm.

    Drew has an incredible sense of humour, dry, funny, witty, clever, hysterical. He makes me laugh all the time and this is my way of giving it back and making him laugh.

    It’s a lovely and funny tradition, that I now use with my other gorgeous nephews, Jack and Josh when they come to stay. It lets them know they’re not guests, they’re family.

    If I’m having a conversation with Jackson in the kitchen and we’ve wrapped up the chat, it’s not uncommon for me to say to him ‘Go to your room.’ What happens – he laughs his head off and goes to his room with a smile on his face.

    One day, no doubt, as this tradition continues, I’m sure the boys will repeat it back to me, laughing, when I go to visit them – ‘Right, Auntie Helen/Mum….go to your room.’

    What will I do – well, I’ll laugh, and I’ll go to my room, remembering all the years the line meant you’re home.

    *Image Adobe Stock

  • A CROCK OF SHIT

    A CROCK OF SHIT

    Carrying on from my love of using the word shit – it made me think about ‘a crock of shit’.

    It’s an idiom. Words in a fixed order that make no literal sense. It conveys a different meaning to that of each individual word used. On their own saying ‘a crock of shit’ literally means a crock pot on a stove top, which is bubbling away, cooking shit…………no, not gonna happen in my world. It has nothing to do with crockery per se and nothing to do with shit, but together it does mean something.  

    It means complete nonsense, useless or false information. When it’s voiced out loud, it’s almost said with a snort, to convey indignation, disgust or even derision.

    It’s rude slang and used to express how ridiculous you think something is. We use them in our house.

    Jackson tells me he can’t go to work as he needs to study for an exam – tomorrow. A crock of shit. What he means is, I haven’t studied enough and I’m going to fail the exam, it’s not my fault, but I’ll need to get onto it and have the night off work.

    This one is totally me. I’m just going to the supermarket to get ‘a few’ things. A crock of shit. I come back with five bags of shopping, spending $300 on the ‘few things’, plus snacks, plus other items I randomly yanked off the supermarket shelf, because they were on sale.

    What about the dog ate my homework. A crock of shit. Although Roxy the beagle has chewed my affirmation deck cards and angel cards. Am I seriously going to see your homework come out of the dog’s backside next time it does a poo?

    This one drives Simon mad. I’ll only watch one more episode. Sure Helen. A crock of shit. This means I’m attempting to watch one more episode, but I keep falling asleep, I finally get through the one hour episode, but it’s no longer 11pm, it’s now 2am.

    Simon uses these ones. I didn’t see your text, my phone didn’t beep, there’s something wrong with my phone. A crock of shit. Maybe if he turned his phone off silent, he’d hear the text or missed call. If I want to reach Simon, I call Jackson, and he has to take his phone to Simon. Drives me mad.

    What about I’ll pay you back next week. A crock of shit. In Monopoly money maybe.

    Jackson misses Uni. My alarm didn’t go off. A classic crock of shit. It always mysteriously fails when he’s had a late night.

    If you hear me say traffic was a nightmare, sorry I’m late, don’t buy into it. A crock of shit. I just left home 20 minutes later than I should have.

    Today, Jackson didn’t answer his phone. Why? Because he was in the shower for 20 minutes. A crock of shit? No, fact actually. I arrived home and he was in the shower, having his usual very long shower.

    Would love to hear about some of your crock of shit moments?

  • HOLY CANNOLI

    HOLY CANNOLI

    I love whimsical words. I naturally use them to pepper my speech to make it interesting. Again, this comes from Dad, who gave me a love of words.

    Am I talking about the Italian pastry dessert, er, no, I have eaten cannoli, but I’m more a tiramisu girl – coffee, mascarpone – yum.

    When I can’t really say ‘holy shit’ in public, even though it’s my number one go to exclamation, or ‘holy f***’, not so common, tend to use ‘shit’ way more. I can go Dad’s route – ‘holy moly’, but there’s something about ‘holy cannoli’. It’s light-hearted and doesn’t have the crassness of ‘sh**’ or ‘f***’.

    ‘Holy cannoli’, fits in well with my other frequent ‘go to’ words – ‘wow ‘or ‘oh my God’. It’s cute, quaint and playful and I love playful words. It makes what you’re saying sound more dramatic, and it lets everyone know something surprising has happened.

    I can soothe people with my voice, but I can also shock them with my voice.

    When Jackson was little, I’d read lots of books to him. 101 Dalmatians was the favourite by a country mile.

    BUT, when it came to The Three Little Pigs, with a voice full of inflection, snarling my words and determined to create the best reading experience for Jackson, ‘holy cannoli’, I really stuffed up.

    It was meant to be a simple bedtime nursery rhyme story, not a story creating a horror experience for Jackson and literally blow the brick house down.

    The big bad wolf comes and says, ‘Little pig, little pig, let me come in.’ The little pig says, ‘Not by the hair on my chinny chin chin.’ So, the wolf says, ‘Then I’ll huff and I’ll puff, and I’ll blow your house down.’

    Jackson was so terrified, that he struggled to sleep for over 3 months. Every night, he checked under his bed for the big bad wolf and every night he insisted the big bad wolf was outside his bedroom window.

    I had created a monster – me!

    I did end up reading him The Three Little Pigs down the track, when he was a bit older, but I did it in a whimsical, airy-fairy, gentle, whispered lullaby way.

    When Roxy, the beagle, escapes and runs, it’s ok, because when I use my loud voice, you can literally hear me to Timbuktu. When I use my loud voice, birds fly out of trees in fear, to get away from me.

    The way I yell ‘Roxy’, it ain’t sugar and spice. It’s blood-curdling. Roxy, well, she stops rocketing up the road, freezes, sits, then starts running back home, without checking for traffic. She zooms up the driveway and pelts back into the house, petrified, because Mum has screamed the entire neighbourhood down.

    Maybe next time she bolts, I could try them all – ‘holy sh**, holy f***, holy moly, wow, oh my God, tiramisu and holy cannoli’ and see what happens!

    Does anyone else have whimsical words they love to use?

  • HELTER SKELTER

    HELTER SKELTER

    The roller coaster, gotta make the most and, dance, dance, dance the night away. Helter skelter, maybe I can help her, dance, dance, dance the night away.

    One of my favourite songs as I was growing up. Had a cool beat, and the instrumental at the beginning, in the middle at the end, had a bit of a Greek bouzouki vibe.

    Barry Blue was the artist, and I loved the music video of him dancing around in blue satin.

    I have the song on my playlist today. Pardon the pun, but it never gets old.

    My sisters and I in the seventies, had a mixed party hits album. We would play this album over and over throughout the years, dance around the living room and sing into our hairbrushes.

    My sisters and I, well, we definitely got our dancing shoes on and were dancin’ on a Saturday night.

    I can’t remember the name of this album, but it was a good one! Gary Glitter, Slade, Brian Cadd , Olivia Newton John singing Let Me Be There, Rick Springfield, Hush, Elton John with Crocodile Rock, and Sister Mary Mead singing the pop version of the Lord’s Prayer.

    Does anyone remember the name of this album?

    Throughout the seventies, Barry Blue was on a number of TV shows with ABBA and toured with them in 1973-1974. This made him the coolest of cool in my eyes. Between Dancin on a Saturday Night, satin, my ABBA socks, ABBA t-shirt and ABBA mug, my hairbrush as my microphone, I was living the dream.

    These times with Susie and Angela, with our vinyl records, covering off on the best of the seventies, with mixed album compilations, ABBA and of course Countdown. We rarely missed a show. Who didn’t love Molly Meldrum and the music! Sunday night, it was a staple in our house.

    I loved that Countdown, featured ABBA, I mean they had to really, so many of their songs were in the top 10 in Australia. I always remember Molly Meldrum saying he didn’t play it one week and it was met with absolute outrage from the fans, that the following week he started playing it again. It was number one on the Countdown Top 10 for 14 weeks! I was ok with this!

    One thing is for sure, in today’s helter skelter world of music, there is no comparison to the seventies upbeat disco four on the floor beat.

    Go the mirror ball!